EVERYBODY STREET

New York City

THE FEATURE is complete! We are proud to announce the World Premiere of Everybody Street at Hot Docs International Film Festival

Official Selection Hotdocs

Click here for more info and to buy tickets

"Everybody Street" illuminates the lives and work of New York’s iconic street photographers and the incomparable city that has inspired them for decades. The documentary pays tribute to the spirit of street photography through a cinematic exploration of New York City, and captures the visceral rush, singular perseverance and at times immediate danger customary to these artists.

featuring : Bruce Davidson , Elliott Erwitt, Jill Freedman, Bruce Gilden, Joel Meyerowitz, Rebecca Lepkoff, Mary Ellen Mark, Jeff Mermelstein, Clayton Patterson, Ricky Powell, Jamel Shabazz, Martha Cooper, Jeff Mermelstein, and Boogie, with Max Kozloff and Luc Sante.


For more information, please email everybodystreet@gmail.com.

Jill Freedman’s Street Cops at CUNY’s John Jay College of Criminal Justice. Opening TOMORROW Thursday, September 13th from 6-8pm. Located at 899 10th Avenue (at 59th Street) in the President’s Gallery at Haaren Hall. See you there! “In an era when the NYPD has an entire arsenal of high-tech weapons and techniques to fight crime and terrorism, seeing Jill Freedman’s gritty, in-your-face images of street cops on the job thirty years ago almost makes you wish for the good old days when it seemed easier to spot and take out the bad guys. After all, this was the period when Times Square was best known for its prostitutes, scam artists and porn palaces. This was the heyday of Alphabet City in the East Village, the junkie’s back yard. This was the New York that Jill Freedman captures so vividly.”

Jill Freedman’s Street Cops at CUNY’s John Jay College of Criminal Justice. Opening TOMORROW Thursday, September 13th from 6-8pm. Located at 899 10th Avenue (at 59th Street) in the President’s Gallery at Haaren Hall. See you there!

“In an era when the NYPD has an entire arsenal of high-tech weapons and techniques to fight crime and terrorism, seeing Jill Freedman’s gritty, in-your-face images of street cops on the job thirty years ago almost makes you wish for the good old days when it seemed easier to spot and take out the bad guys. After all, this was the period when Times Square was best known for its prostitutes, scam artists and porn palaces. This was the heyday of Alphabet City in the East Village, the junkie’s back yard. This was the New York that Jill Freedman captures so vividly.”


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